* the grand f-i-nally

while no one knows what his/her grand finally will (really) show-up as, i see it as sentient, self-replicating, and recursively self-improving. information being important, it will fly: maneuver, observe, record/document.  

the self-replicating piece is the cancerous one: replicating not only as physical but also "in code" (the DNA/RNA of the machine) ...quickly, instantly, en mass. kind-of like poppy-fields, on our way to Heaven Oz.

hint: in this scenario, "nally" refers to "not an ally."

a couple of minutes of g. carlin: a tad vulgar, but poignant.
https://www.youtube.com/shorts/9dieVXYfmhk

b40 (3.8-2.2005): d.c.i.

d.c.i. [1]                             
by digital cinema interactive
 
Inter-Active Movie
void of space and time
thought is the director
future undefined
_______________________________________
 

• on the MSI web page today, the topics are interactive movies (DCI), robot caregivers, symbolic art, and the new infiniti M (a car). 

• is this a hint? 

• will we (someday) direct our own movies, with our thoughts and with our words?  

• will we someday relate to robotic caregivers in ways that we (apparently) now relate to people?  

• is art simply a symbol of the symbol of life?  is art Life?  is Life, art? 

• is infinity getting a little more affordable?  is it becoming something that we are more able to experience and grasp? 

• are we ALREADY living in a matrix of Virtual Reality, and is Thought ALREADY the Director, and do our words ALREADY change the future? 

• is “matter” Real, or is the material matrix of duality merely a living, breathing, robotic façade – acting out the images of Higher Thoughts and Image-I-Nations? 

• isn’t the future ALREADY undefined, with multiple potential plots, multiple potential “endings,” and multiple potential twists and turns along the journey? 

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[1] martino, j. (3.8-2.2005). dci. book 40: puni-verse. copyright 2005 by jaol martino.

b30 (5.6-2.2004): inter-action

inter-action [1]

a world of inter-action
a world of magic scenes
a world of fake-special-effects and superficial dreams

a world of actor/actress
a world where stillness moves
a world of inter-action is a world of red and blue
__________________________________________________

· move-ies are worlds of interaction. the actors, the scenes, the roles, the plot: all fake, yet All a re-Flection of the reality (or, better yet, the sir-reality) of life.

the movie (it-self) is merely a series of still images, appearing to move.

__________________________________________________

[1] martino, j. (5.6-2.2004). inter-action. book 30: kokopeli. copyright 2004 by joal martino.